After lead vocals, drums are the most important element in any recording, and it’s essential to make thoughtful choices regarding both microphones and mic placement.
This article, written by producer and multi-instrumentalist Katie Marie, explores different techniques for miking a snare drum to achieve the best possible sound in studio recordings or live performances. It emphasizes mic placement, microphone choices, and tracking strategies to get a professional snare tone.
Key Considerations Before Miking a Snare Drum
Before placing microphones, ensure the snare drum sounds good at the source by:
- Checking for rattling, buzzing, or tuning issues.
- Considering drumhead type and dampening tools (e.g., Moongel or tea towels).
- Choosing the right sticks, mallets, or brushes for the desired tone.
- Factoring in the material of the snare drum (e.g., birch wood vs. brass).
5 Ways to Mic a Snare Drum
1️⃣ Single Mic on the Top of the Snare
- Most common approach for both live and studio settings.
- Mic is typically placed at the rim of the drum, pointing toward the center.
- Closer mic placement = more attack & articulation, less overtones.
- Best for minimizing room reflections in small or untreated spaces.
2️⃣ Top & Bottom Mic Configuration
- A second mic under the snare captures the snare wires for added bite and clarity.
- Helps add depth and dimension to the snare drum tone.
- Be mindful of phase alignment by lining up the mic capsules as much as possible.
3️⃣ Mic on the Side of the Snare
- Captures both top and bottom sounds without phase issues.
- Works particularly well with wooden shell snare drums.
- Be cautious of hi-hat bleed and avoid placing the mic near the drum’s port (to prevent a “woof-ing” sound).
4️⃣ Mono Overhead & Kick Drum Mic
- A single overhead mic placed above the snare captures an entire drum kit in a small space.
- Often paired with a kick drum mic for a balanced low-end response.
- Works well in tight spaces where stereo overheads might create phase issues.
5️⃣ Pair of Top Mics (Dynamic & Condenser)
- Combining a dynamic mic (e.g., SM57) with a condenser mic (e.g., Beyer M201) to blend attack and detail.
- Helps capture both tone and player nuances.
- Some engineers prefer a single mic setup, but experimenting with blending can yield unique results.
Tips for Recording Drums in Small Spaces
- Lower overall volume to reduce early reflections and phase problems.
- Use Promark Broomsticks for a softer, more controlled sound on drums and cymbals.
- Experiment with overhead mic placement to maximize room acoustics.
Conclusion
The best miking technique depends on the desired snare sound, the recording environment, and the mix. Experimenting with different placements and mic combinations can help musicians and engineers find the perfect snare tone for their recordings.
Source: 5 Ways to Mic a Snare Drum
